Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA Clocks 14066

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Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA Clocks 14066

Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA  Clocks 14066

The word rococo was first used in 1835 in France, as a entertaining variation of the word rocaille or a immersion of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to garnish grottoes and fountains in the past the Renaissance.[8][9] In the late 17th and yet to be 18th century it became the term for a kind of decorative motif or ornament that appeared in the tardy Style Louis XIV, in the form of a seashell interlaced next acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a addition of designs for ornaments of furniture and interior decoration. It was the first manner in print of the term "rocaille" to assign the style.[10] The carved or molded seashell motif was total when palm leaves or twisting vines to embellish doorways, furniture, wall panels and additional architectural elements.[11]In the 19th century, the term was used to characterize architecture or music which was excessively ornamental.[12][13] past the mid-19th century, the term has been fashionable by art historians. while there is still some debate more or less the historical significance of the style, Rococo is now often considered as a definite period in the move forward of European art.

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