Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA Clocks 14066

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Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA Clocks 14066

Rococo Giltwood Wall Mirror in the manner of Thomas Johnson Philadelphia, PA  Clocks 14066

The word rococo was first used in 1835 in France, as a humorous variation of the word rocaille or a combination of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to gild grottoes and fountains before the Renaissance.[8][9] In the tardy 17th and to the lead 18th century it became the term for a kind of decorative motif or ornament that appeared in the late Style Louis XIV, in the form of a seashell interlaced taking into consideration acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a hoard of designs for ornaments of furniture and interior decoration. It was the first impression in print of the term "rocaille" to designate the style.[10] The carved or molded seashell motif was whole considering palm leaves or twisting vines to beautify doorways, furniture, wall panels and additional architectural elements.[11]In the 19th century, the term was used to picture architecture or music which was excessively ornamental.[12][13] in the past the mid-19th century, the term has been well-liked by art historians. while there is nevertheless some debate more or less the historical significance of the style, Rococo is now often considered as a sure grow old in the improvement of European art.

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