Early 19th Century Hand Carved Italian Giltwood Rococo Mirror from piatik on Ruby Lane

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Early 19th Century Hand Carved Italian Giltwood Rococo Mirror from piatik on Ruby Lane

Early 19th Century Hand Carved Italian Giltwood Rococo Mirror from piatik on Ruby Lane

The word rococo was first used in 1835 in France, as a humorous variation of the word rocaille or a combination of rocaille and baroque.[6][7] Rocaille was originally a method of decoration, using pebbles, seashells and cement, which was often used to garnish grottoes and fountains before the Renaissance.[8][9] In the late 17th and before 18th century it became the term for a kind of decorative motif or partner in crime that appeared in the tardy Style Louis XIV, in the form of a seashell interlaced taking into consideration acanthus leaves. In 1736 the designer and jeweler Jean Mondon published the Premier Livre de forme rocquaille et cartel, a accretion of designs for ornaments of furniture and interior decoration. It was the first announce in print of the term "rocaille" to allocate the style.[10] The carved or molded seashell motif was combination subsequently palm leaves or twisting vines to beautify doorways, furniture, wall panels and further architectural elements.[11]In the 19th century, the term was used to describe architecture or music which was excessively ornamental.[12][13] past the mid-19th century, the term has been in style by art historians. while there is still some debate virtually the historical significance of the style, Rococo is now often considered as a definite time in the loan of European art.

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